1 Title Page
2 Preface
3 iv
4 Contents
5 Illustrations
6 Introductory Chapter
7 page 2
8 page 3
9 page 4
10 Chapter I: The Philosophy of Colour
11 page 6
12 page 7
13 page 8
14 page 9
15 page 10
16 page 11
17 page 12
18 page 13
19 page 14
20 page 15
21 page 16
22 Chapter II: The Harmony of Colours
23 page 18
24 page 19
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26 page 21
27 page 22
28 page 23
29 page 24
30 page 25
31 page 26
32 Chapter III: The Origin of the Pleasure Derived from the Perception of Colour
33 page 28
34 page 29
35 page 30
36 page 31
37 Chapter IV: The Quality of Colours, and their Applications in Decoration
38 page 33
39 page 34
40 page 35
41 page 36
42 page 37
43 page 38
44 page 39
45 Chapter V: Common Errors in House Painting
46 page 41
47 page 42
48 page 43
49 page 44
50 page 45
51 page 46
52 page 47
53 Chapter VI: The Production of Colours
54 page 49
55 page 50
56 page 51
57 page 52
58 page 53
59 page 54
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63 page 58
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67 page 62
68 Chapter VII: The Chemical Composition and Manufacture of Colours
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115 Chapter VIII: Manufacture of Oils and Varnishes
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144 Chapter IX: Miscellaneous Articles Emplyed by the House-Painter
145 page 140
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147 page 142
148 page 143
149 Chapter X: The Manufacture of the House Painter's Combs and Brushes
150 page 145
151 page 146
152 page 147
153 page 148
154 Chapter XI: House-Painting in Plain Colours
155 page 150
156 page 151
157 page 152
158 page 153
159 Chapter XII: On the Imitation of Wood and Marbles
160 page 155
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180 Chapter XII: The History of House-Painting
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232 Concluding Remarks
233 page 228
234 page 229
235 Index
236 page 231
237 page 232
238 page 233
239 Advertisement
of 239
page 137
1 Title Page
2 Preface
3 iv
4 Contents
5 Illustrations
6 Introductory Chapter
7 page 2
8 page 3
9 page 4
10 Chapter I: The Philosophy of Colour
11 page 6
12 page 7
13 page 8
14 page 9
15 page 10
16 page 11
17 page 12
18 page 13
19 page 14
20 page 15
21 page 16
22 Chapter II: The Harmony of Colours
23 page 18
24 page 19
25 page 20
26 page 21
27 page 22
28 page 23
29 page 24
30 page 25
31 page 26
32 Chapter III: The Origin of the Pleasure Derived from the Perception of Colour
33 page 28
34 page 29
35 page 30
36 page 31
37 Chapter IV: The Quality of Colours, and their Applications in Decoration
38 page 33
39 page 34
40 page 35
41 page 36
42 page 37
43 page 38
44 page 39
45 Chapter V: Common Errors in House Painting
46 page 41
47 page 42
48 page 43
49 page 44
50 page 45
51 page 46
52 page 47
53 Chapter VI: The Production of Colours
54 page 49
55 page 50
56 page 51
57 page 52
58 page 53
59 page 54
60 page 55
61 page 56
62 page 57
63 page 58
64 page 59
65 page 60
66 page 61
67 page 62
68 Chapter VII: The Chemical Composition and Manufacture of Colours
69 page 64
70 page 65
71 page 66
72 page 67
73 page 68
74 page 69
75 page 70
76 page 71
77 page 72
78 page 73
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107 page 102
108 page 103
109 page 104
110 page 105
111 page 106
112 page 107
113 page 108
114 page 109
115 Chapter VIII: Manufacture of Oils and Varnishes
116 page 111
117 page 112
118 page 113
119 page 114
120 page 115
121 page 116
122 page 117
123 page 118
124 page 119
125 page 120
126 page 121
127 page 122
128 page 123
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131 page 126
132 page 127
133 page 128
134 page 129
135 page 130
136 page 131
137 page 132
138 page 133
139 page 134
140 page 135
141 page 136
142 page 137
143 page 138
144 Chapter IX: Miscellaneous Articles Emplyed by the House-Painter
145 page 140
146 page 141
147 page 142
148 page 143
149 Chapter X: The Manufacture of the House Painter's Combs and Brushes
150 page 145
151 page 146
152 page 147
153 page 148
154 Chapter XI: House-Painting in Plain Colours
155 page 150
156 page 151
157 page 152
158 page 153
159 Chapter XII: On the Imitation of Wood and Marbles
160 page 155
161 page 156
162 page 157
163 page 158
164 page 159
165 page 160
166 page 161
167 page 162
168 page 163
169 page 164
170 page 165
171 page 166
172 page 167
173 page 168
174 page 169
175 page 170
176 page 171
177 page 172
178 page 173
179 page 174
180 Chapter XII: The History of House-Painting
181 page 176
182 page 177
183 page 178
184 page 179
185 page 180
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188 page 183
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224 page 219
225 page 220
226 page 221
227 page 222
228 page 223
229 page 224
230 page 225
231 page 226
232 Concluding Remarks
233 page 228
234 page 229
235 Index
236 page 231
237 page 232
238 page 233
239 Advertisement
of 239
